Top of Sidebar
Mission Statement
Do It Yourself Tips and Tricks
Books, Equipment, Software, and Training Reviews
Film Critiques
Community Section
Savings and Links
Editorials
Archives
Bottom of Sidebar
Back to the Home Page
   Final Short Critique: 
   Minos

   Director:
Juan Luis Lopez Fons
 
   Distribution: No Exclusive Distribution
   Budget: $7,000
   Genre: Horror

   Running Time: 14 minutes

   Release Dates: November 1, 2005
 

 


   Review Date:
January 15, 2006

   Reviewed By: Chris Treen

Minos is a short horror flick that was written and directed by Juan Luis Lopez Fons as his final thesis project for the New York Film Academy.

Minos takes place in a sort of exclusive fun house to which only those with plenty of cash to burn need apply. The two main characters are Ari and Theo, a couple who's relationship has seen better days as they attempt to put a little bit of fun back into their relationship.

Theo has scored a couple of $10,000 tickets to the Minos Fun House. Ari, less than impressed, is pretty skeptical of the seemingly campy house of pseudo-horrors. As our couple makes their way through the labyrinth of brick walls and hidden doors they soon find out, as is befitting a typical fun house, that things are not what they seem. The surprises that await them are decidedly more macabre than the standard issue of distorted mirrors and zombie masks that populate your run-of-the-mill house of horrors.

At the outset they are greeted by what appears to be a mysterious sort of caretaker of the labyrinth, though to Ari he seems little more than a corny sort of sideshow huckster with an overly developed panache for the melodramatic. The caretaker entrusts our Couple with a ball of twine and a flashlight (it is at this point that most scholars of Grecian mythos have their suspicions confirmed as to the nature of what truly lies within the depth of the maze, but that will be covered later). As they delve into the maze they encounter a couple who entered ahead of them. Bloodied and terrified, the second scream and pound in vain on the soundproof glass cutting them off from Theo and Ari. Thinking this to be all part of the show, our young protagonists venture deeper into what can only be described as a mythic confrontation. (How's that for nebulous puns?)

Minos looks at the horror
mythos surrounding fun houses...
...and the caretakers who
oversee them.

Visual Appeal
What impressed me on the outset of this film was the visual appeal. The artist in me was able to appreciate the time and effort that went in to painting the backdrops and murals for this production that was filmed almost entirely on a sound stage. I could tell that the director was really keen on making this into a visually appealing piece. This is a case where I have little to say about color correction and lighting because it was obvious that a great deal of thought went into the set and costume color selection. The film itself was shot using a Panasonic DVX 100a camera and edited using Final Cut Pro.

Use of Audio
The audio for Minos was recorded with boom and lav mics plugged directly into the camera audio inputs. Let me tell you, somebody must have been on the ball with the ambient noise levels because I had a tough time finding any issues with background noise or what I like to term as "organic audio artifacts". (I.e. undisciplined crew shuffling about or jiggling cords during dialogue and making noise).

While I'm on the whole audio train of thought, the music for this film was very cool and it fit perfectly with the story line. I hate to admit it, but I spent several minutes just listening to the music sequence on the title screen. It would be great to have some samples of this guys music embedded in the DVD, perhaps as part of the special features.

When Theo takes Ari to an
ultra exclusive funhouse...
...the people locked behind the glass
are only the first of their problems.

Mission | Tips & Tricks | Equipment & Software Reviews | Film Critiques
Groups & Community | Links & Savings
| Home


Contact Us Search Submit Films for Critique