Top of Sidebar
Mission Statement
Do It Yourself Tips and Tricks
Books, Equipment, Software, and Training Reviews
Film Critiques
Community Section
Savings and Links
Editorials
Archives
Bottom of Sidebar
Back to the Home Page
   Short Film Critique: 
   The Televisual Man

   Director:
Steve Piper
   Expected Rating: General Audiences
   Distribution: No Exclusive Distribution
   Budget: Less than £500 (roughly $750 US)
   Genre: Experimental

   Running Time: 4 mins 33 sec

   Release Dates: August 4, 2004
   Website: http://www.coffeefilms.com/tv
   Trailer: Click Here

   Review Date:
May 15, 2006
   Reviewed By: Monika DeLeeuw-Taylor
Final Score:
8.8
How do we critique films? Click Here To See.
"…And he grew a plug that looked like a tail
So we plugged in little Jim.
And now instead of him watching TV
We all sit around and watch him."
-Shel Silverstein, "Jimmy Jet and His TV Set"

So goes the Shel Silverstein poem about the kid named Jimmy Jet who watched so much TV that he eventually turned into one. Well, that's not exactly the concept behind Televisual Man, but there's at least a hint of that humorous poem in Steve Piper's experimental film.

The movie is very simple--it consists of a man sitting in front of a television set, mindlessly channel surfing. Soon, however, he comes across a channel on the TV that shows--not another program--but himself in front of the TV, creating the never-ending repeating image of a TV inside a TV inside a TV. Then the camera itself zooms out to show that the watcher is, in fact, being watched on a separate TV set, though we don't know by whom. This raises some interesting questions - not only about a society that spends too much time in front of the television - but also says something about the move toward the era of "Big Brother" in a world of constant surveillance. And with the growing trend of reality TV there's also the feeling that since everyone's life seems to be a television show there's no one left to actually watch the show.

In a strange world ruled by television,
this boy grows up...
...part of the watchings of someone
else's viewership.

Content
The concept of this movie is interesting. It's a very short film with no dialogue, only one location, minimal camera movement, and a very simple concept. Though this type of film usually costs next to nothing to make, it's also difficult to actually make it look like more than a couple of kids playing around with mom and dad's DV camera on the weekend.

It also gets tricky to get a message across using only visual images without dialogue, and I think that some people might not get the full extent of the message that these filmmakers are trying to get across. For example, one of our reviewers who watched the film thought it was more along the lines of a warning to people who watched too much TV--beware lest you lose yourself in the world of fantasy. Whereas I thought it was more of a cynical view of a culture absorbed with themselves and with reality TV. Neither one of us really caught on to the 1984, Orwell-ish indictment of excessive surveillance. But considering that all three of these subjects can tend to run together, and that the director mentioned a couple different end goals in making this film, I wouldn't consider it such a big deal that viewers take different messages from this movie. After all, that's one of the perks of putting your message onto the medium of film.

Visual Look
This movie has a very interesting look--one that I'm sure that most people will recognize. Anyone who's ever experimented with a video camera has doubtless discovered what happens when you hook up a video camera to the TV and record a continuous image that looks like something out of a funhouse. It's interesting that this trick is common among amateur filmmakers, yet it's almost never used even in indie filmmaking. I really liked that the director chose to employ that visual trick, as it really helped to get his message across.

The coloring of the film was quite interesting - the images all had a blueish tint to them, and were grainy and slightly out of focus. One of my favorite shots were when the camera zoomed in to an extreme close-up of the main character's face as he continued to stare straight ahead at the TV.

Mission | Tips & Tricks | Equipment & Software Reviews | Film Critiques
Groups & Community | Links & Savings
| Home


Contact Us Search Submit Films for Critique