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   Final Film Critique: 
   The Wooden Gun

   Director:
Michael Kastenbaum & Jon Jacobs
   Expected Rating: R due to nudity
   Production Company: Zero Pictures
   Distribution: Zero Pictures
   Budget: $10,000
   Genre: Western

   Running Time: 80 Minutes

   Release Dates: July 15, 2003
   Website: http://www.zeropictures.com
   Trailer: http://www.zeropictures.com

   Review Date:
February 15, 2006
   Reviewed By: Monica DeLeeuw-Taylor


I love westerns.

I was raised on John Ford, and The Duke was my childhood hero. While Westerns dominated the screen when my parents were children, this classic genre has been in the decline since The Man With No Name rode off into the sunset for the last time. And because of this, the Westerns that are made today aren't usually up to par with the old classics. Because of this, I was initially skeptical of The Wooden Gun; however, I was very pleasantly surprised.

The Wooden Gun tells the story of cynical gunslinger Jake Finney (Jon Jacobs), who escapes hanging by carving a wooden gun. Joined by a naïve young thief in Steve West (Michael Kastebaum), Jake heads for Canada to escape the vengeful Sheriff (Stephen Polk) who first caught him. On the way to Canada, Steve is wounded by a posse and falls in love with the woman who nursed him back to health (Dawn Kapatos). When the Sheriff catches Steve and prepares to hang him, Jake throws caution to the wind and rides into town to save his friend.

Content
The opening scene was amazing; it really set the tone for the whole film. It shows a tearful Steve West talking to Jake about how he's going to be hung before he ever got a chance to fall in love. The "repentant antihero" theme is an element of the newer western; it's seen in Unforgiven, Hang 'Em High, and in both of the Young Guns movies. This adds a great emotional element to the character that is sometimes lacking in the old-school western.

Another great element to the story is Jake's British accent. Other than Indians and Mexicans, one usually doesn't see characters with accents in old school westerns. This is actually rather strange considering that the Old West was the most diverse in all the Americas - in fact, the majority of cowboys were black, not white.

Jake and the law no longer
see eye to eye.
Lucky for him, they don't see
well in the dark at all!

Despite the strength of the overall content, however, there were some situations where not enough information was shown to the audience. For example, one thing that confused me was when Steve makes an escape attempt and the Sheriff brings Steve back lying over the back of his horse. I initially thought that he was dead, since that's traditionally the way that people in westerns carried dead bodies. There was no indication that he was still alive until the next day when they continued riding with Steve in saddle, since the Sheriff had simply tossed his body off the horse the night before. Also, it wasn't made clear that the Sheriff had brought back Steve's horse, yet Steve was shown riding it the next day. A good way to have made this clearer to the audience would to have had the Sheriff either strap Steve to the back of his horse and bring him back that way (a la The Good The Bad and The Ugly), or tie a rope around his neck or wrists and drag him back, leading the horse, (a la Young Guns II). And this particular Sheriff seems to have enough of a cruel streak to do either. In any case, since either of these options would be difficult to re-shoot, it might be more advantageous to just re-edit the scene to include a close-up shot of Steve lying on the ground gasping for air after being presumably badly beaten by the Sheriff.

The film opens with a captured Jake Finney and Steve West being guarded by a posse made up of the Sheriff and two other men. It's not explained clearly how the two of them were caught - what matters is that when they reach their destination they will both be hung. While Steve makes two daring and stupid escape attempts, Jake seems to have quietly accepted his fate. During daylight hours, he carves a wooden horse which he promises to give to Boyd, one of the members of the posse, to give to his son. Once night falls, however, Jake stealthily carves himself a wooden gun, and when it is finished, he holds it on the posse members and makes his escape.

I wasn't sure how the concept of the wooden gun would play out - even though the film is shot in black and white, one would assume that the members of the posse would be able to tell the difference between a real gun and a fake one. However, because Jake made his escape during the night, the man he held the gun on wasn't able to see it very well. In fact, had the audience not been shown a previous shot of Jake carving the gun, one would have assumed that he was holding a real gun. With the advent of the antihero, there have been numerous clever escape scenes, since the protagonist is often in someone's custody. Sometimes these scenes get a little corny, but The Wooden Gun did this particular scene very well. It was especially sad when Jake had to shoot Boyd - the one member of the posse who had been sympathetic to his plight - yet another emotional element to the cynical antihero. Another great element to the escape scene was that, while Jake was trying to quietly secure a horse and leave, Steve continued to beg Jake to take him along, calling attention to the escape and waking the other men, whom Jake then has to kill.

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