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   Final Film Critique: 
   Private Lives

   Director:
Ferguson Porter
   Expected Rating: R due to some language                                and adult situations
   Distribution: No Exclusive Distribution
   Budget: $2,000.00
   Genre: Relational Drama

   Running Time: 95 minutes

 
 

   Review Date:
November 15, 2005
   Reviewed By: Chris Treen


None of our lives are truly private. Both our actions and inactions affect those around us. Private Lives deals with 3 couples-or rather 6 individuals-and the trials they undergo by simply living in proximity to one another.

Content
This slice of life film is centered around the lives and relationships of six different people, and how the decisions they make affect their already volatile situations.

Scott (Weston Davis) works as a not so successful actor who, though a bit indecisive, is proud of sticking to his guns once a decision is made.

Jenny (Christina Cain) is burned out and, being dissatisfied with the rut into which her marriage to Scott has fallen, is searching for something better.

Shannon (Katie Featherston) is still grieving form the death of a loved one and her nepenthe-of-choice is sex. She uses immediate physical gratification as a coping tool with which to deal with her loss and is currently using Noah in a sort of "friend +1" relationship.

At first glance, Noah (Shaun Anthony) seems to be quite the shallow individual when he declares that it would be his preference to live the rest of his life in a mushroom-induced stupor. As the film progresses it is soon learned that, when separated from the machismo of hanging with the guys, he is actually quite dissatisfied with living life for the moment and is hoping for something deeper. He has developed strong feelings for Shannon, though he is frustrated by her unwillingness to commit. Noah's seemingly "intrusive" questioning and attempts at "meaningless" conversation annoy Shannon who is interested only in non-committal sex.

Cody (Ferguson Porter) is a self-proclaimed narcissist, and is arguably the most self absorbed of all the characters (albeit more honest at times). During his introduction he admits that one of life's greatest letdowns for him is that he is good at everything he does. He sees himself as the next great screenwriter and seems to relish in informing others of this.

Allan (Patrick Rieger) is an intern with Fox news and is probably the most caring and sensitive of all of the characters despite his lack of backbone. Allan's relationship with Cody seems to lie somewhere between roommates and lovers. They seems to view this as an 'open' relationship, but the reality of the matter is that Cody doesn't seem to care that much for Allan at all and just strings him along as 'backup'. Allan, lacks the willpower to leave this emotionally abusive environment to which he as grown accustomed; rather he waits eagerly in the wings in hopes that Cody will change, and finally see that there's more to life than immediate self gratification.

Couples having conversations
after sex the way that...
...this slice of life film largely
unfolds.

One of the things one has to watch out for in a inter-personal dialogue-driven movie is this: You are selling your story to the audience by way of the characters themselves… The personality of each character is what maintains the audience's interest. When a work relies so closely on establishing empathy between the protagonists and the audience, it is vital that said empathy be maintained and nurtured through the duration of the film.

I admit that I have always been a big fan of closure to a certain degree; even if the only thing resolved is that nothing has changed. At the end of Private Lives, I felt as though Shannon and Noah were the only two people in the film who actually made progress toward a resolution, for good or for ill. I was left guessing with Jenny and Scott, and totally was baffled as to whether Alan and Cody were patching things up, or simply carrying on as they ignore their heart wrenching ordeal just prior to the end (though that may very well have been the desired effect).

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