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Software Review: Adobe Illustrator CS2, Pg. 2

Live paint
This handy addition enables on-screen painting of enclosed areas in much the same way you would in a raster-based graphics program. Where one would normally have to simplify or divide artwork into overlapping geometry, Live Paint brings the capability to add and change fills and lineweights on the fly. The real beauty here is that it retains it's form as a vector object; you can move nodes and lines around and the corresponding fills shift accordingly.

Live Trace
What was once a task limited to external programs can now be executed seamlessly within the bounds of Illustrator CS2. Live Trace is an easy to use tool that will convert bitmapped images into vectored artwork in a snap. A wide range of presets enables the user to choose from a variety of desired effects from black and white, to grayscale, to hi and low-res color imaging. (Plus, when combined with Adobe Production Studio Premium, Illustrator CS2's Live Trace can be batch applied to video through the APSP-exclusive version of Bridge, to create iTunes-like commercials and a variety of other nifty effects.)

Performance
Illustrator is the way to go in terms of artistic freedom. If you want to draw it, chances are there is a way to do it in Illustrator. This is the best all around program for the money and will satisfy the demands of any vector artist. Unlike the competing Corel programs, I have rarely had to deal with lost work due to a crash with Illustrator. CS2 seems very stable, and I have yet to get it to lock up on me (considering it happens to me 3 and 4 times a day with the competition's package). This is THE industry standard, and there is really little left for me to question. On the precision-technical end of the spectrum, Adobe is fast becoming the mainstay.

Value
Don't have $499 to drop on an illustration program? Find the money even if you have to beg or borrow. You will not find a pro illustration package that can do more or has a wider following than Illustrator. I am routinely required to work with a competitor's program, and each time am left wishing it had the stability, flexibility, and capability of Illustrator CS2. (And if you want an even better value for getting Illustrator CS2, then check out our review for Adobe Production Suite Premium in last month's issue.)

Final Comments
Illustrator is a powerful tool that any artist should be happy to own. Sure it has a few setbacks, but that's where talent takes over. No program can do everything you'd like it to, but Illustrator CS2 comes pretty darn close.

 
Ease of Use            
7.0         
Depth of Options            
9.0         
Performance            
10.0         
                        Value            
          10.0         
Overall Score           
  9.0         



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