The Microfilmmaker Community

[KevinLines]

I'm considering making my own foley sound stage but am having difficulty knowing exactly where to start. Any recommendations on types of wood, sound insulation, and foley mics?
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[JohnHoward]

Kevin,

Sounds like quite a project! My forte is audio & music production. Although I'm familiar with the basics of acoustics design & construction, I'm probably not qualified to really do your question justice. However, I can refer you to a really great site where I've learned a ton on the subject: Check out the Acoustic & Design forum at Recording.org -- http://www.recording.org/modules.php?name=Forums&file=viewforum&f=34

You may also want to consider studying acoustics a bit on your own using a book such as F. Alton Everest's "Master Handbook Of Acoustics" -- great book with lots of practical info on designing your room and acoustic treatments that includes real examples as well as the math.

As far as mics go, the Neumann U87 & KMR81i are used quite a bit. I've used a Schoeps CMC64 with great success for a flatter, more natural sound. On the other hand, I've used an Earthworks Z30X cardiod condenser mic that really accented the high-frequency "crack" of some wood breaking -- didn't sound too natural, but really helped to startle the audience, which was the idea. The sound you're after will determine what mic you reach for, and that will be influenced by the mood of a film/scene you're working on. Experiment and find your sound!
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John Howard
Audio Specialist/Reviewer
Microfilmmaker Magazine
"Improving no-budget filmmaking through technique and critique."
http://www.microfilmmaker.com
jhoward@microfilmmaker.com